Oh Forest...

Ghost Dog: The Way of the Samurai(dir. Jim Jarmusch)
Le Samourai mixed with Branded to Kill and directed by Jim Jarmusch has masterpiece written all over it, but it never fulfills that potential. If the movie was more focused on Forest and didn't have the other moments that focused on the gangsters, this would have been really good or great, but as it is, it's some uneven masterpiece. Ghost Dog performs his job with such skill that Melville would be proud, but Jarmusch's view of the criminal underworld is less flattering. I understand that's the point to show this super intense guy kicking ass compared to these dumb gangsters, but the characters are alittle too over the top. There are some moments that are forgiveable like a gangster singing along to Flava Flav. Another viewing might convince me that it's not just an uneven masterpiece, but a bonafide masterpiece. For now it gets
*** out of ****
Letters from Iwo Jima(dir. Clint Eastwood)
A much better film than Flags of Our Fathers, but it also shares some of that film's heavy-handed trappings. I enjoyed this film's unsentimental look at war to ritual suicide with grenades and the killing of prisoners of war. There is a certain bleak madness to it, but hope glimmers beneath the surface. Some moments seem to be designed to manipulate audience's emotions like Nichi giving all the medicine to an American soldier and ending up getting wounded. Most of the soldier's flashbacks were clearly designed to create some tears. The gimmick of going back to the present time to show the letters from Iwo Jima was pretty ridiculous, but the biggest flaw this film had had to deal with Ken Watanbe's favoritism of the main character. It seems utterly appalling and ridiculous to me that a man of authority would allow a soldier to not partake in a battle because he has a wife and kids. Sure, that seems reasonable, but we never see Ken Watanbe's character ask any of the other soldiers if they had a family. This film had some sublime moments and some cringe-inducing moments.
*** out of ****

Motherload...

Afterglow(dir. Alan Rudolph)
*** out of ****
Zorn's Lemma(dir. Hollis Frampton)
** out of ****
United 93(dir. Peter Greengrass?)
**** out of ****
Harlan County USA(dir. Barbara Kopple)
**** out of ****
Ali: Fear Eats the Soul(dir. Rainer Werner Fassbinder)
*** out of ****
La Jetee(dir. Chris Marker)
**** out of ****
The Scarecrow(dir. Buster Keaton)
**** out of ****
Not sure(dir. Buster Keaton)
*** out of ****
Gates of Heaven(dir. Errol Morris)
**** out of ****
Diary of a Country Priest(dir. Robert Bresson)
**** out of ****
Harakiri(dir. Masaki Kobayashi)
Better than any Kurosawa I've seen.
**** out of ****
Cafe Lumiere(dir. Hou-Hsian Hsiang?)
Loved it.
**** out of ****
Killing of a Chinese Bookie[78 cut](dir. John Cassavetes)
**** out of ****
Shadows(dir. John Cassavetes)
**** out of ****
Down by Law(dir. Jim Jarmusch)
**** out of ****
The Marriage of Maria Braun(dir. Rainer Werner Fassbinder)
**** out of ****

The Verdicts

The Sacrifice(dir. Andrei Tarkovsky)
It achieved a dream-like feel better than probably any movie I have ever seen. The story is kind of vaguely told which helps create this feel. The way the lines were delivered were very soothing almost like music. They say this is his most Bergmanesque film which I kind of understand since the characters feel like they baring their souls and are very venerable. I however actually loved this film unlike any of the Bergman films I have seen.
**** out of ****
Little Miss Sunshine(dir. ?)
I think I realize now that I am a sucker for films about "dysfunctional" families. The Royal Tenenbaums is probably my favorite movie and thats all about a "dysfunctional" family. This film is amazingly funny, but in a way that is both intelligent and emotional. It shows a family coming together on a vacation through hardships and bad situations and plays it for laughs. It seems very honest and I loved it.
Night on Earth(dir. Jim Jarmusch)
Taxi Cab Confessions as done by Jim Jarmusch. This is my second favorite by him because the stories are interesting and funny. It is most like Mystery Train in the sense it is a collection of stories. This however has a constitent quality to it compared to Mystery Train where the first story was the best one and the others were lacking.
**** out of ****
The Long Goodbye(dir. Robert Altman)
This could be considered an anti-noir just like McCabe & Mrs. Miller is considered an anti-western. I have very similar feelings to this as I do for McCabe & Mrs. Miller. I thought it was really good, but its not as good as some of his other work. Elliot Gould is still the man so that makes it even better than McCabe.
**** out of ****
Choose Me(dir. Alan Rudolph)
Alan Rudolph was Robert Altman's assistant director on the film above. I thought that was interesting since it was unintentional that I would watch this movie after I've seen the film above. It feels like Altman made a romantic film and this is the product. It was definately alot better than his other film I saw called The Secret Life of Dentists. I loved it.
**** out of ****

Week and a Half? Review #1?

1. The Royal Tenenbaums (dir. Wes Anderson)
This is my favorite movie now. It is everything I dreamed of in a movie except not knowing it. Some people feel it is painfully controlled, but the instances of emotion are almost crippling because of this control. The characters also do things that seem irrational and spontanteous while the style and the world is controlled by the film-makers. One scene that I think is perfect is when Richie sees Margot the first time in the movie when he is an adult. The music and everything creates the perfect feeling in me that I can't help, but love this movie. I know the rest of the movie isn't perfect, but it comes quite close.
Sidenote: It is quite interesting to compare this Paul Thomas Anderson's third film, Magnolia. They both have a father in it that attempts to reach out to his family by saying he is dying. Phillip Baker Hall's character might be dying while Royal is not dying at all. Hall's character however might have did far worse things to his family than Royal. Narration in both films is surpisingly similar. They both don't have narration in the middle of the picture, but bookend the film. There is alot more narration in Wes's film though. Both films seem to be controlled very elaborately compared to each film-maker's work before this. Rushmore showed Wes's signature style alot while Bottle Rocket just showed little bits like the jumpsuits. Paul's Boogie Nights showed the direction he would be heading with Magnolia, but hasn't made a film like it since. I also believe both those films are the best of their respective director.
**** out of ****
2. Dead Man (dir. Jim Jarmusch)
This movie is my favorite Jarmusch film. I cared for the characters and it felt surpisingly focused compared to his earlier work and even his later work (Broken Flowers). Thats not to say his other films I've seen are worth watching, but they fail to create a mood and a universe like this movie. The soundtrack is amazing and Gary Farmer's performance as Nobody is particularly noteworthy. The film felt like a spiritual western. I dig it.
3. California Split (dir. Robert Altman)
Elliot Gould is the man.
**** out of ****
4. Close-Up (dir. Abbas Kiarostami)
Kind of funny. Not the movie, the situation I watched the movie. I watched it right after the post below. It even says Based on a True Story in the beginning, but the film has documentary footage implemented of it. Some of the people in the documentary footage were willing to re-enact instances talked about in the documentary footage. The ending makes you wonder if the events actually happened or not so it isn't completely abusing its Based on a True Story. Most Hollywood pictures would have put no effort at all into the movie since the audience already has a sense of "Oh this really happened" even though they should be trying harder. Kiarostami is one of my favorite film-makers now.
**** out of ****

Week in Review #2

I watched two movies a day this week to make up for not reading a full novel. I started reading For Whom The Bell Tolls, but couldn't really get into it so I read The Metamorphosis instead.
Book:
The Metamorphosis by Franz Kafka
This could have easily been turned into a horror story, but it was more a domestic drama. A man turns into a vermin and causes his family great grief and problems. When he finally dies, his sister is allowed to metamorposize into a beautiful young women. Christ symbolism with cockroaches is good in my book.
**** out of ****
Movies:
1. A Generation directed by Andzrej Wajda
This is considered the weakest of his so-called War Trilogy. However, I enjoyed it more than Kanal. Kanal felt uneven with its depiction of war and their journey through the sewers. Both films are clearly anti-war. The only thing that doesn't work in A Generation is the ending. Sure, it makes its anti-war clear, it just feels out of place. I thought it was amazing.
**** out of ***8
2. Belle De Jour directed by Luis Bunuel
I'm surprised that I waited so long to see any Bunuel. His films are very normal. He is kind of like Franz Kafka of film. He presents bizarre situations in such a realistic fashion that it never becomes uncomfortable or even bizarre. This film however does not have a very bizarre situation. The ending I believe is pretty much the same as Discreet Charm, but I can't help, but this film is less surrealistic. I enjoyed it immensely.
**** out of ****
3. The Player directed by Robert(o) Altman
Robert Altman is one of my favorite directors. His films have a sense of humor that works very well with me. This could be considered his Breakfast of Champions. He criticizes film-making as Vonnegut criticizes writing, but it is what it criticizes. The film is made in a Hollywood fashion, but has a higher degree of artistry. One of its targets is how Hollywood have to end happily. The film ends happily even though it is unrealistic. The film is uncriticizable since it criticizes itself which makes it so great. The first time I saw it I didn't like it. I had a headache or something because I don't understand why I didn't like it.
**** out of ****
4. Naked directed by Mike Leigh
I haven't really watched that many British films which would make sense. Are they considered foreign films? I am not sure. This film has been often called bleak and it is. It is pretty uncomfortable watching it. It kind of reminds of a not as stylish A Clockwork Orange, but it seems more moral. I didn't really get the character of Jeremy or Sebastion. He seems to be an example of how Johnny could be. Johnny is the lesser of two evils. It presents the situation as it is unflinchingly and that is probably its greatest thing. A great film.
**** out of ****
5. Mystery Train directed by Jim Jarmusch
I've seen Stranger than Paradise and feel I should reassess it because I love the style of the film, but the reason I gave for not giving it four stars was lack of emotional involvement, but is that really a problem? There is some emotion to his films, but it doesn't go overboard like Hollywood films. I loved the first story in this film and the other two I liked. I digged it.
**** out of ****
6. The Naked Spur directed by Anthony Mann
I felt the need to get into classic Hollywood westerns. This film is alot alike his other western that I have seen by Anthony Mann called Winchester '73 in the sense the shootout is almost done in a similar fashion. This one is better since it has Jimmy Stewart throwing a spur at the villain's face and it got stuck in there until his partner shot him. Yeah...
**** out of ****
7. Winchester '73 directed by Anthony Mann
The situation is not as interesting, but the film feels more epic with its sprawling narrative about a stolen rifle. The narrative structure was very interesting and the action was grand.
**** out of ****
8. High Plains Drifter directed by Clint Eastwood
The film has a wierd feel to it. It can be considered a continuation of Clint's character in the Man with No Name Trilogy, but lacks their sense of humor. This film isn't very campy or as aware of its old-fashionness. It seemed bleaker, but not as artisitc as say Once Upon a Time in the West. The biggest fault is it takes itself too seriously. The supernatural aspect made it very interesting.
*** out of ****
9. Syriana directed by ?
The plot wasn't as confusing as people make it out to be, but I don't get how the stories relate to each other. I understand alittle bit, but not that much. The biggest problem for me was the editing. It was edited in a very Hollywood fashion which shows me its techniques and makes the thing easy to see where its going. The plot was interesting. More interesting than Crash. It didn't have a real message to it either that corporations are greedy and people die for oil which seems very true. What makes a effective movie is one that you don't understand how it has an effect on you. Directors are basically liars so what they need to do is cover up their lie. If they do this well and are original how they do it then they are a good director. There was one scene with a suicide bomber that had a typical scene of silence with the score going. This is done in alot of films today. It was still a good film.
*** out of ****
10. She's Gotta Have It directed by Spike Lee
This was Spike Lee's debut. It has modest production values and he doesn't take up very heavy handed subject matter. Race doesn't really come into play in this film as much as his others. The acting was not very good. Spike and his sister Joie probably give the best performances of the film. The pseudo-documentary film made it interesting.
*** out of ****
11. Johnny Guitar directed by Nicholas Ray
A western with women? Is this The Quick and the Dead? The women seem like total bitches in the movie even Vienna who is the protagonist of the movie. She is played like a bitch out for blood, but she somehow never wants to fire a weapon and kill anybody which doesn't make sense since how she is acted by Joan Crawford leads me to believe something else. Emma is played as a bigger bitch which makes you sympathize with Vienna more just because shes the lesser of two evils. It dragged alot, but when action happened it was entertaining. Not as good as a western as Anthony Mann's, but had a more interesting situation.
*** out of ****
12. On the Waterfront directed by Elia Kazan
This film is an allegory for the blacklist and the director ratting out people that were commies. Personally, I was bored with this film. The only thing I found interesting was the cinematography. I might need to rewatch this, but for now...
** out of ****

TV:
Coach Season 1
I love Coach. It has a feel like Cheers of warmth and familarity. It is a comforting feeling. I'm surpised by how much I care about Hayden and his friends. Hayden is not very likeable yet you care immensely for him. I love this show.
**** out of ****

Stranger Than Paradise

This film is directed by Jim Jarmusch. The only other film I've seen by him is Broken Flowers. This was his breakout film. This had a major impact on the independent film scene of the late 80's. It seemed rather simplistically made, but it didn't feel as rough as most independent films. It also didn't feel as pretentious. I enjoyed the editing style of the film. I basically enjoyed all of it. I feel torn whether to give this four stars or three because I liked it alot, but I didn't exactly love it.

Pros:
-Great editing style
-Great characters
-The New World is good
-The second part is great
-Minimalistic
-Not overblown

Cons:
-Doesn't leave that much of an emotional impact
-Third part is just descent
-Ending kind of stinks

Overall: Good film
*** out of ****